I understand that he's not primarily concerned with money, but I still think that after a certain, comparatively short amount of time after the creator's death, IP should be released to the public. If the public wants to Disnify it, then so be it; the originals are still around for the rest of us to enjoy. Actually I think this perspective was how copyright was first imagined--it was only recently made outrageous by corporations like Disney.
C. Tolkien seems to disagree, and his desire for complete control over books he didn't even write seems to be both stifling genuine re-imaginings of modern classics by a long-dead author, and making him fairly unhappy.
I'm picking on Tolkien but obviously this applies to a huge amount of IP out there that's in a similar situation.
I broadly agree with you on issues of IP, but just think your characterization of this case (especially of the intentions of C. Tolkein) was off, and that your general argument is probably stronger for other cases of IP rather than this particular one.
C. Tolkien seems to disagree, and his desire for complete control over books he didn't even write seems to be both stifling genuine re-imaginings of modern classics by a long-dead author, and making him fairly unhappy.
I'm picking on Tolkien but obviously this applies to a huge amount of IP out there that's in a similar situation.